Oriental interior design was once associated with rosewood furniture, intricate carvings, and an overwhelming explosion of red and gold.
While these elements are deeply rooted in cultural heritage, they often feel disconnected from the sleek aesthetics of contemporary urban living in Singapore.
However, renovation in Singapore is now reimagining these traditional motifs, blending styles to produce an outcome that is culturally rooted and timeless, yet anchored to modern architecture and living.
The goal isn’t to recreate a historical period piece, but to infuse a modern home with the soul of Eastern aesthetics. As an interior renovation firm in Singapore, we’ve worked on dozens of projects and have reinterpreted oriental interior design countless times.
Our guide will walk you through what designers are doing differently now with oriental renovation.
An Oriental renovation in Singapore typically draws East Asian design traditions, especially Chinese and Japanese influences, and may also incorporate local heritage elements such as Peranakan motifs.
It is a design philosophy that prioritises a connection to lineage. It manifests as a blend of ancestral symbolism and functional modernism. It’s not just about placing a jade sculpture on a console; it’s a holistic, architectural approach to curating space for both form and function.
For many homeowners, it is a way to honour their culture and history.
Oriental interior design is rooted in the following principles:
These elements historically served to convey the inhabitants’ status and aspirations. Not much has changed in the messages these icons convey, since most homeowners use them to convey the same principles.
The modern iteration of this style is a departure from the formal, sometimes stiff atmosphere of the past.
Designers are now approaching Oriental aesthetics with a less-is-more mindset. They are focusing on the emotional resonance and modern practicality of the design rather than the literal replication of ancient rooms.
By deconstructing traditional elements, we can create spaces that feel culturally grounded, harkening to Singapore’s cultural roots, yet adapted and acclimated to modern architectural standards.
What we’re doing differently with our oriental design projects today includes the following:
One of the most significant changes is the lean toward minimalism.
Modern Oriental homes in Singapore are embracing negative space. Instead of filling every corner with ornate furniture, designers are leaving walls bare to let artwork stand out. This creates tranquillity, adding character and nuance to the space.
Furniture has also undergone a total transformation. The tall, imposing chairs and heavy altar tables are being replaced with low-profile designs. Low-slung sofas, floor seating inspired by tatami arrangements, and platform beds create an unobstructed view across the room.
This makes spaces feel much larger and more open than the elaborate designs of traditional oriental homes.
Contemporary designers are experimenting with stylistic fusion. We are seeing a rise in Japandi-Oriental or Modern Chinoiserie. A room might feature a mid-century modern sideboard topped with a Ming-style vase, or a sleek industrial kitchen with a backsplash inspired by traditional Chinese ink paintings.
This eclectic approach allows homeowners to personalise their spaces.
By mixing styles, the Oriental elements become accents that provide character rather than an imposing theme. Using a traditional Chinese lattice screen as a sliding door in a contemporary walk-in wardrobe adds a touch of heritage without making the entire bedroom feel like a period film set.
This flexibility keeps the style fresh and exciting for present-day homeowners.
A giant flat-screen television could look out of place against a backdrop of antique calligraphy. Today, designers are prioritising the seamless integration of digital life into the Oriental home, with these modern appliances in mind.
Media consoles are now mimicking the look of traditional cabinetry. TVs and air conditioning units now boldly show themselves in the room, rather than being cleverly hidden—reminding occupants that the home is still a modern structure.
The goal is to ensure that while the home looks like a sanctuary of tradition, it functions with the efficiency of the current-day abode.
While red and gold will always have their place in festive decorations, they are no longer the dominant colours in an Oriental renovation.
Designers are moving toward a much broader and more sophisticated palette. We are seeing a preference for muted, earthy tones such as charcoal grey, moss green, deep navy, and misty whites. These colours provide a neutral backdrop that feels timeless and sophisticated, while still retaining the oriental flavour of the past.
This shift toward cooler, more subdued tones helps to create a sense of serenity that red and gold simply cannot achieve in a residential setting.
The material palette has expanded beyond dark wood and silk. Modern renovations incorporate raw, tactile materials such as fluted and lime-wash walls, brushed brass, matte slate, and light-coloured oaks.
These materials add a layer of contemporary luxury that feels organic rather than manufactured.
Texture is being used to provide visual interest where colour is absent. A designer might use a textured wallpaper that mimics the grain of handmade rice paper or a stone-clad feature wall that evokes a rugged mountain landscape. These subtle nods to nature are hallmarks of Oriental design.
Even the use of fabrics has changed, with heavy brocades being replaced by linen and hemp, which offer a more relaxed atmosphere.
Opulence was often displayed through heavy gilding and the use of expensive, rare materials in abundance.
Today, opulence is found in the quality of craftsmanship. It is a more confident form of luxury that doesn’t need to announce itself.
A modern Oriental renovation might feature a hand-painted mural covering just one section of a wall. This restrained approach ensures that the luxury feels intentional and curated, not excessive.
It is about having touches of precious artwork and sculptures rather than a room overflowing with expensive decor. This toned-down opulence creates a home that feels cultured. Designers know that too much opulence can create pretentiousness, which is not in line with a luxurious design scheme.
The principles of Oriental design have become the backbone of many modern design movements worldwide.
The global obsession with biophilic design—the practice of bringing the outdoors in—has its roots in the traditional Chinese and Japanese desire to harmonise the home with nature. Elements like indoor water features, internal courtyards, and the use of natural stone are all extensions of this ancient philosophy.
Furthermore, the focus on mindful living is deeply indebted to Oriental concepts of energy flow and balance. Even in homes that do not look Oriental on the surface, the way we value open floor plans, natural light, and a lack of clutter can be traced back to these Oriental roots.
Finding the right partner is essential for those looking to transform their space with a modern Oriental aesthetic.
The Interior Lab specialises in creating bespoke homes that balance heritage with contemporary functionality. Our team of designers delivers sophisticated, personalised interiors that reflect your culture and identity, whether we’re working on landed homes or HDBs.
From conceptualising the initial layout to the final material selection, we work closely with you to ensure every detail is perfect. If you are ready to begin your home transformation journey, reach out to The Interior Lab.
Modern renovations often use treated light oaks or engineered woods that mimic traditional grains but are more resistant to warping and moisture than antique rosewood.
Bamboo, Bonsai trees, and Snake Plants are excellent choices, as they are central to Oriental interior design.
Look for abstract ink-wash paintings or natural landscapes rather than Western-interpretation icons meant to attract tourists (e.g., brightly painted resin dragons, oversized golden “Maneki-neko”)
Matte-finish wood planks or large-format stone tiles in neutral grey provide a clean, grounding foundation that allows your heritage furniture pieces to stand out.